Mode d'emploi TASCAM CD-RW 402

[. . . ] CFX MKII SERIES OWNER’S MANUAL 12, 16, AND 20-CHANNEL MIC/LINE MIXERS WITH DIGITAL EFFECTS CFX12 12 CHANNEL COMPACT INTEGRATED LIVE SOUND MIXER MONO PLUG STEREO PLUG CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT AVIS: RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE. DEBRANCHER AVANT DE REMPLACER LE FUSIBLE EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE. REFER SERVICING TO QUALIFIED PERSONNEL. SERIAL NUMBER MANUFACTURING DATE REPLACE WITH THE SAME TYPE FUSE AND RATING. DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE DESIGNED BY MACKOIDS IN WOODINVILLE, WA, USA • THE FOLLOWING ARE TRADEMARKS OR REGISTERED TRADEMARKS OF MACKIE DESIGNS INC. : "MACKIE", "EMAC", AND THE "RUNNING MAN" FIGURE • PATENT PENDING • COPYRIGHT ©2004 POWER ON 120 VAC, 50/60 Hz, 35 WATTS INSERT ALL THE WAY IN TO THE "SECOND CLICK" TIP OUT TO EFFECTS DEVICE RING RETURN FROM EFFECTS DIRECT OUT WITH SIGNAL INTERRUPTION TO MASTER FOR USE AS AN EFFECTS LOOP (TIP = SEND, RING = RETURN) OPTIONAL USES FOR INSERTS MIC 1 MIC 2 MIC 3 MIC 4 MIC 5 MIC 6 MIC 7 MIC 8 L STEREO EFX RETURN EFX SEND 1 R 1 L R TAPE TAPE INPUT OUTPUT MAIN INSERT MAIN OUT MAIN OUT 12V 0. 5A LAMP L L R 2 R 1 L 2 R UTILITY OUT AUX SEND SUB OUT L L R EFX 2 BAL/UNBAL BAL/UNBAL BAL/UNBAL BAL/UNBAL BAL/UNBAL BAL/UNBAL BAL/UNBAL BAL/UNBAL (MONO) LINE IN LINE IN LINE IN LINE IN LINE IN LINE IN LINE IN LINE IN (MONO) 1 3 R FOOT SWITCH 9 LEFT RIGHT 11 LEFT RIGHT 2 4 S 75Hz SUB OUT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT 10 9/10 -20 12 11/12 PHONES U IC GAIN M 1 ZERO U IC GAIN M 2 ZERO U IC GAIN M 3 ZERO U IC GAIN M 4 ZERO U IC GAIN M 5 ZERO U IC GAIN M 6 ZERO U IC GAIN M 7 ZERO U IC GAIN M 8 ZERO U U LEVEL 5 +50 -15dB +30dB LEVEL 5 +50 -15dB +30dB LEVEL 5 +50 -15dB +30dB LEVEL 5 +50 -15dB +30dB LEVEL 5 +50 -15dB +30dB LEVEL 5 +50 -15dB +30dB LEVEL 5 +50 -15dB +30dB LEVEL 5 +50 -15dB +30dB -20 +20 +20 GAIN LOW CUT 100 Hz U GAIN LOW CUT 100 Hz GAIN LOW CUT 100 Hz GAIN LOW CUT 100 Hz GAIN LOW CUT 100 Hz GAIN LOW CUT 100 Hz GAIN LOW CUT 100 Hz GAIN LOW CUT 100 Hz GAIN GAIN MASTER SEND AUX U +15 10 5 0 5 10 15+ 10 5 0 5 10 15– 63 125 250 500 1K 2K 4K 8K 16K AUX U AUX U AUX U AUX U AUX U AUX U AUX U AUX U AUX U AUX 1 O O 1 O O 1 O O 1 O O 1 O O 1 O O 1 O O 1 O O 1 O O 1 O O 1 O O +15 U +15 U +15 U +15 U +15 U +15 U +15 U +15 U +15 U +15 U +15 U 2 O O 2 O O 2 O O 2 O O 2 O O 2 O O 2 O O 2 O O 2 O O 2 O O 2 O O –15 +15 U EFX (EXT) +15 U +15 U +15 U +15 U +15 U +15 U +15 U +15 U +15 U +15 U PRE FADER PRE FADER EFX (EXT) O O PRE FADER EFX (EXT) O O PRE FADER EFX (EXT) O O PRE FADER EFX (EXT) O O PRE FADER EFX (EXT) O O PRE FADER EFX (EXT) O O PRE FADER EFX (EXT) O O PRE FADER EFX (EXT) O O PRE FADER EFX (EXT) STEREO GRAPHIC EQ 1 1 1 1 1 1 1 1 1 EFX (EXT) O O 1 1 O O +15 U EFX (INT) +15 U EFX (INT) +15 U EFX (INT) +15 U EFX (INT) +15 U EFX (INT) +15 U EFX (INT) +15 U EFX (INT) +15 U EFX (INT) +15 U EFX (INT) +15 U EFX (INT) O O +15 12 CHANNEL COMPACT INTEGRATED LIVE SOUND MIXER 2 2 2 2 2 2 2 2 2 2 DIGITAL STEREO EFFECTS PROCESSOR CLIP O O +15 U O O +15 U O O +15 U O O +15 U O O +15 U O O +15 U O O +15 U O O +15 U O O +15 U O O +15 U EFX 2 (INT) RETURN MASTERS U U U U PHANTOM POWER 48v U POWER STATUS EQ HI 12k EQ HI 12k EQ HI 12k EQ HI 12k EQ HI 12k EQ HI 12k EQ HI 12k EQ HI 12k EQ HI 12k EQ HI 12k LEFT RIGHT O O -15 +15 U MID -15 +15 U MID -15 +15 U MID -15 +15 U MID -15 +15 U MID -15 +15 U MID -15 +15 U MID -15 +15 U MID -15 +15 U HI MID 3k -15 +15 U HI MID 3k +15 O O +15 O O +15 O O +15 EFX 2 SEND TO MAIN MIX AUX 1 AUX 2 EFFECTS TO MONITOR +20 EFX 1 RETURN U O O CLIP 22 10 7 -15 +15 600 1. 5k FREQ 8k U LOW 80Hz -15 +15 600 1. 5k FREQ 8k U LOW 80Hz -15 +15 600 1. 5k FREQ 8k U LOW 80Hz -15 +15 600 1. 5k FREQ 8k U LOW 80Hz -15 +15 600 1. 5k FREQ 8k U LOW 80Hz -15 +15 600 1. 5k FREQ 8k U LOW 80Hz -15 +15 600 1. 5k FREQ 8k U LOW 80Hz -15 +15 600 1. 5k FREQ 8k U LOW 80Hz -15 +15 U LOW MID 400Hz -15 +15 U LOW MID 400Hz 150 100 150 100 150 100 150 100 150 100 150 100 150 100 150 100 -15 +15 U LOW 80Hz -15 +15 U LOW 80Hz REVERSE GATED CATHEDRAL LG. [. . . ] This frequency represents the punch in bass drums, bass guitar, fat synth patches, and hightestosterone male singers. When adding boost to the channel’s low EQ, simultaneously engaging the LOW CUT switch can create an audible low frequency boost without boosting stage rumble, mic handling clunks, and breath pops. -15 +15 U LOW MID 400Hz EQ The CFX MKII mixer has low shelving, mid peaking, and high shelving EQ. “Shelving” means that the circuitry boosts or cuts all frequencies past the specified frequency. For example, boosting the LOW EQ knob boosts FADER PAN 1-2 INPUT GAIN LO CUT INSERT -15 +15 U LOW 80Hz -15 +15 PAN L R EQ MUTE 3-4 11-12 dB 10 MUTE "POST" SIGNAL "PRE" SIGNAL ASSIGN PRE-POST AUX 1 AUX 2 EFX 1 EFX 2 TO AUX 1 MASTER SEND LEVEL TO AUX 2 MASTER SEND LEVEL TO EFX 1 MASTER SEND LEVEL TO EFX 2 MASTER SEND LEVEL 1-2 “Pre vs. Post” Auxiliary Signal Flow Diagram Stereo Channel 13 PAN PAN adjusts the amount of channel signal sent, left versus right, to the SUB OUTs (and ultimately the MAIN OUTs via the SUB ASSIGN switches). On mono channels, the knob places the signal somewhere between hard left and hard right. On stereo channels, it works like the balance control on your home stereo, by attenuating one side or the other. With the PAN knob hard left, the signal will feed SUB 1 and SUB 3 (assuming the channel’s ASSIGN switches are engaged). With the PAN knob hard right, the signal will feed SUB 2 and SUB 4 (assuming the switches are engaged). channel’s ASSIGN With the PAN knob set somewhere in between, the signal will be shared across both sides of the mix. nal. Subtle adjustment of the channels’ fader positions is the key to a finely-tuned mix. knob is set Typically (providing the GAIN correctly) the fader position will be positioned somewhere between 0 dB (“U”) and –30 dB. If you have a fader set all the way up, adding 10 dB of gain, that’s usually a sign that your GAIN knob is set too low. Conversely, if the fader is set way down, your GAIN may be set too high. “U” LIKE UNITY GAIN Mackie mixers have a “U” symbol on almost every level control. This “U” stands for “unity gain, ” meaning no change in signal level. Once you have adjusted the input signal to line-level, you can set every control at “U” and your signals will travel through the mixer at optimal levels. What’s more, all the labels on our level controls are measured in decibels (dB), so you’ll know what you’re doing level-wise if you choose to change a control’s settings. MUTE U EQ HI 12k -15 +15 U MID -15 +15 600 1. 5k FREQ 8k U LOW 80Hz 150 100 When you engage a channel’s mute switch, its signal disappears from these outputs: MAIN , MAIN INSERT , SUB OUT 1-4 , OUT AUX SEND 1 & 2 , EFX SEND 1 & 2 (including the send to the EMAC EFFECTS ). The only thing it doesn’t PROCESSOR switch, so mute is the channel’s SOLO PFL you can audition channels, via headphones, without sending them to the main mix. SOLO PFL Engaging a channel’s SOLO switch causes this dramatic turn of events: The PHONES and Meters , which ordinarily receive the main mix signals, instead receive the SOLO PFL signal. PFL, being a mono signal, is sent to both sides of the PHONES outputs and to the LEFT meter. Additionally, the RUDE SOLO LED flashes obnoxiously to remind you that “you’re in solo. ” The SOLO PFL signal is tapped before the channel’s MUTE and Fader controls. It , LOW CUT does, however, follow GAIN , and EQ settings, making it the perfect tool for quick inspections of individual or mul, MUTE tiple channels. [. . . ] Any products returned to one of the LOUD Technologies factory-authorized service centers and deemed eligible for repair or replacement under the terms of this warranty will be repaired or replaced within thirty days of receipt. Products returned to LOUD Technologies that do not meet the terms of this Warranty will not be repaired unless payment is received for labor, materials, return freight, and insurance. Products repaired under warranty will be returned freight prepaid by LOUD Technologies to any location within the boundaries of the USA. LOUD Technologies warrants all repairs performed for 90 days or for the remainer of the warranty period. [. . . ]