Mode d'emploi YAMAHA EX5 2

[. . . ] MUSIC SYNTHESIZER/REALTIME CONTROL/EXTENDED SYNTHESIS MUSIC SYNTHESIZER/REALTIME CONTROL/EXTENDED SYNTHESIS TONE GENERATOR/REALTIME CONTROL/EXTENDED SYNTHESIS TONE GENERATOR/REALTIME CONTROL/EXTENDED SYNTHESIS DATA LIST DATEN-LISTE DATEN-LISTE LISTE DE DONNÉES LISTE DE DONNÉES EX5/5R Voice List Liste der EX5/5R Voices Liste des voix EX5/5R . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Drum Voice List Liste mit Schlazeug-Voices Liste des voix de batterie. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24 Sample List Liste mit Samples Liste des échantillons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26 Wave List Liste der Wellenformen Liste des ondes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29 EX5/5R Performance List Liste der EX5/5R Performances Liste des performances EX5/5R . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 Controller List (Dest. Param: Destination Parameters) Liste mit Controllern (Dest Param: Zielparameter) Liste des contrôleurs (Paramètres de destination) . . . . . . . . . . . . . . 31 FDSP Parameter List FDSP Parameter-Liste Liste des Paramètres FDSP. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32 Effect Type List Liste mit Effekt-Typen Liste des type d'effets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34 Effect Parameter List Liste mit Effekt-Parametern Liste des Paramètres d'effets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36 Groove Template List Groove Template-Liste Liste des modèles d'expressions rythmiques . . . . . . . . . . . . . . 41 Arpeggio List Liste mit den Arpeggio-Typen Liste des types arpèges. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 Controll Change List Liste mit Controll Change-Daten Liste des changements de commande . . . . . . . . . . . . . . . . . . . . . . . . 41 About MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 MIDI Data Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 MIDI Data Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45 MIDI Implementation Chart. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54 sEX5/5R Voice List sListe der EX5/5R Voices sListe des voix EX5/5R Preset 1 (1-64) MSB=63 LSB=0 No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 Bnk A1 A2 A3 A4 A5 A6 A7 A8 A9 A10 A11 A12 A13 A14 A15 A16 B1 B2 B3 B4 B5 B6 B7 B8 B9 B10 B11 B12 B13 B14 B15 B16 C1 C2 C3 C4 C5 C6 C7 C8 C9 C10 C11 C12 C13 C14 C15 C16 D1 D2 D3 D4 D5 D6 D7 D8 D9 D10 D11 D12 D13 D14 D15 D16 Voice Name Natural Grnd Stereo Piano Brite Rock Rocking Bose Dark Grand For Ballads Jazz Grand CP80 CP80 2 Georgia VintgCondns Tine EP Jazz Chorus Soulful Valise Early Fusion Chorus Bell Made in USA Rich EP Rhodesia Ring Mod EP Tornado EP Wurli 1 Wurli 2 Dist Wurli Glass EP Glastick Stone EP Ring Road Glass Tine Early Tines Vic's Roads Wonder Why Wah Clav Stereo Clav Electro Clav JazzyBallad Fullx4 Augmented 70's Organ1 Thank You Flutey EXseption Jazz Organ Left Manual Gospler Fast Organ English Jazz Perc Swing Bar Glass Swish Cathedral Tube Crunch Rock Hard Rock 70's Organ2 Smoky Organ Fuzzier Combos Transistor Vibe Tubular Bell Stone Harp WoodSequence Cat Pf Pf Pf Pf Pf Pf Pf Pf Pf Pf Pf Pf Pf Pf Pf Pf Pf Pf Pf Pf Pf Pf Pf Pf Pf Pf Pf Pf Pf Pf Pf Pf Pf Pf Pf Pf Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Cp Cp Cp Cp Type AWM AWM AWM AWM AWM AWM AWM AWM AWM AWM FDSP AWM FDSP FDSP AWM FDSP FDSP AWM FDSP AWM FDSP FDSP FDSP AWM AWM AWM AWM AWM FDSP AWM FDSP FDSP FDSP AWM AWM FDSP AWM AWM AWM AWM AWM AWM AWM AWM AWM AWM AWM AWM AWM AWM AWM AWM AWM AWM AWM AWM FDSP AWM AWM AWM AWM FDSP FDSP AWM Effect Ins-S Type 024:3Band EQ 000:THRU 017:Exciter 023:EQ 024:3Band EQ 003:Chorus 3 000:THRU 000:THRU 024:3Band EQ 023:EQ 024:3Band EQ 013:Auto Pan 016:AMP Simulator 024:3Band EQ 024:3Band EQ 021:Touch WAH 023:EQ 001:Chorus 1 013:Auto Pan 013:Auto Pan 000:THRU 023:EQ 016:AMP Simulator 018:Compressor 015:Overdrive 000:THRU 000:THRU 000:THRU 000:THRU 017:Exciter 013:Auto Pan 012:Tremolo 016:AMP Simulator 021:Touch WAH 024:3Band EQ 024:3Band EQ 016:AMP Simulator 001:Chorus 1 016:AMP Simulator 016:AMP Simulator 016:AMP Simulator 001:Chorus 1 000:THRU 001:Chorus 1 016:AMP Simulator 016:AMP Simulator 000:THRU 016:AMP Simulator 001:Chorus 1 000:THRU 016:AMP Simulator 000:THRU 016:AMP Simulator 001:Chorus 1 015:Overdrive 016:AMP Simulator 000:THRU 016:AMP Simulator 000:THRU 000:THRU 000:THRU 024:3Band EQ 000:THRU 024:3Band EQ Ins-L Type 058:3Band EQ 000:THRU 058:3Band EQ 058:3Band EQ 058:3Band EQ 058:3Band EQ 058:3Band EQ 058:3Band EQ 021:Auto Pan 055:Ensemble Detune 021:Auto Pan 058:3Band EQ 021:Auto Pan 021:Auto Pan 021:Auto Pan 058:3Band EQ 055:Ensemble Detune 055:Ensemble Detune 058:3Band EQ 000:THRU 000:THRU 000:THRU 020:Tremolo 020:Tremolo 020:Tremolo 000:THRU 000:THRU 000:THRU 000:THRU 055:Ensemble Detune 058:3Band EQ 058:3Band EQ 058:3Band EQ 058:3Band EQ 017:Cross Delay 061:DPCM 019:Rotary Speaker 2 018:Rotary Speaker 1 019:Rotary Speaker 2 019:Rotary Speaker 2 018:Rotary Speaker 1 018:Rotary Speaker 1 018:Rotary Speaker 1 018:Rotary Speaker 1 019:Rotary Speaker 2 019:Rotary Speaker 2 018:Rotary Speaker 1 019:Rotary Speaker 2 018:Rotary Speaker 1 021:Auto Pan 019:Rotary Speaker 2 043:Exciter 019:Rotary Speaker 2 018:Rotary Speaker 1 018:Rotary Speaker 1 019:Rotary Speaker 2 018:Rotary Speaker 1 023:Phaser 1 039:Overdrive 000:THRU 000:THRU 025:Early Ref 1 000:THRU 017:Cross Delay Reverb Type 002:Rev Hall 2 001:Rev Hall 1 006:Rev Stage 1 001:Rev Hall 1 001:Rev Hall 1 001:Rev Hall 1 009:Rev White Room 007:Rev Stage 2 007:Rev Stage 2 001:Rev Hall 1 001:Rev Hall 1 002:Rev Hall 2 001:Rev Hall 1 001:Rev Hall 1 006:Rev Stage 1 001:Rev Hall 1 001:Rev Hall 1 001:Rev Hall 1 003:Rev Room 1 007:Rev Stage 2 001:Rev Hall 1 001:Rev Hall 1 008:Rev Plate 007:Rev Stage 2 007:Rev Stage 2 001:Rev Hall 1 001:Rev Hall 1 001:Rev Hall 1 001:Rev Hall 1 001:Rev Hall 1 001:Rev Hall 1 001:Rev Hall 1 005:Rev Room 3 006:Rev Stage 1 001:Rev Hall 1 007:Rev Stage 2 001:Rev Hall 1 006:Rev Stage 1 001:Rev Hall 1 001:Rev Hall 1 006:Rev Stage 1 006:Rev Stage 1 001:Rev Hall 1 006:Rev Stage 1 001:Rev Hall 1 001:Rev Hall 1 001:Rev Hall 1 001:Rev Hall 1 006:Rev Stage 1 001:Rev Hall 1 002:Rev Hall 2 002:Rev Hall 2 001:Rev Hall 1 006:Rev Stage 1 001:Rev Hall 1 003:Rev Room 1 007:Rev Stage 2 001:Rev Hall 1 004:Rev Room 2 001:Rev Hall 1 001:Rev Hall 1 003:Rev Room 1 001:Rev Hall 1 002:Rev Hall 2 Chorus Type 001:Chorus 1 004:Chorus 4 001:Chorus 1 003:Chorus 3 009:Celeste 4 002:Chorus 2 016:Delay L, R 015:Ensemble Detune 001:Chorus 1 004:Chorus 4 004:Chorus 4 002:Chorus 2 001:Chorus 1 004:Chorus 4 015:Ensemble Detune 014:Phaser 004:Chorus 4 004:Chorus 4 002:Chorus 2 001:Chorus 1 001:Chorus 1 004:Chorus 4 001:Chorus 1 001:Chorus 1 001:Chorus 1 002:Chorus 2 002:Chorus 2 001:Chorus 1 004:Chorus 4 001:Chorus 1 006:Celeste 1 007:Celeste 2 014:Phaser 001:Chorus 1 001:Chorus 1 001:Chorus 1 003:Chorus 3 001:Chorus 1 003:Chorus 3 004:Chorus 4 001:Chorus 1 001:Chorus 1 004:Chorus 4 001:Chorus 1 003:Chorus 3 004:Chorus 4 004:Chorus 4 003:Chorus 3 001:Chorus 1 001:Chorus 1 004:Chorus 4 004:Chorus 4 003:Chorus 3 001:Chorus 1 004:Chorus 4 004:Chorus 4 017:Ctrl. Delay 003:Chorus 3 001:Chorus 1 001:Chorus 1 001:Chorus 1 001:Chorus 1 013:Symphonic 004:Chorus 4 Controller PB off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off MW COM Cho Send COM Cho Send AWM LFO1 AMD AWM Pitch AWM LFO1 PMD AWM LFO1 PMD AWM LFO1 PMD AWM LFO1 AMD, AWM LFO1Speed COM Cho Send COM Cho Send, InsL D/W Bal InsL LFO Freq InsS L/R Depth InsL LFO Freq InsL LFO Freq InsL L/R Depth AWM LFO1 PMD InsL D/W Bal AWM LFO1 PMD InsS L/R Depth InsS L/R Depth AWM LFO1 AMD FDSP Drive InsL LFO Freq InsL AM Depth InsL AM Depth, InsL LFO Freq AWM LFO1 AMD AWM LFO1 AMD AWM LFO1 AMD AWM LFO1 AMD AWM LFO1 PMD COM Cho Send InsS AM Depth, COM Cho Send, InsS PM Depth AWM LFO1 PMD AWM LFO1 PMD AWM LFO1 PMD AWM LFO1 PMD InsL Rotor, AWM Volume, InsS LPF Cutoff InsL LFO Freq, InsS LFO Freq InsL Rotor, InsL EQ H-Gain, InsS LPF Cutoff InsL Rotor, InsL EQ H-Gain, InsS LPF Cutoff InsL LFO Freq InsL LFO Freq, InsS LFO Freq InsL LFO Freq InsL LFO Freq, InsS LFO Freq InsL Rotor, InsL EQ H-Gain, InsS LPF Cutoff InsL Rotor, InsL EQ H-Gain, InsS LPF Cutoff, AWM Volume InsL LFO Freq InsL Rotor, InsS Drive, InsS LPF Cutoff InsL LFO Freq, InsS LFO Freq AWM LFO1 PMD InsL Rotor, InsL EQ H-Gain, InsS LPF Cutoff, AWM Volume COM Cho Send InsL Rotor, InsL EQ H-Gain, InsS LPF Cutoff InsL LFO Freq, InsS LFO Freq InsL LFO Freq InsL Rotor, InsL EQ H-Gain, InsS LPF Cutoff InsL LFO Freq AWM LFO1 PMD AWM LFO1 PMD AWM LFO1 PMD AWM LFO1 AMD AWM LFO1 PMD AWM LFO1 AMD AWM LFO1 PMD AT off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off MW2 AWM FEG Depth AWM DCF Freq COM Cho Send InsL EQ H-Gain AWM FEG Depth AWM Volume AWM DCF Freq AWM PAN InsL L/R Depth AWM DCF Freq InsL L/R Depth COM Cho Send InsS D/W Bal, COM Cho Send, InsL L/R Depth InsL L/R Depth InsL LFO Freq InsS Sensitive AWM DCF Freq AWM DCF Freq COM Cho Send AWM DCF Freq FDSP Main Freq. [. . . ] Cuts apart the input signal and applies extreme modulation to the playback order or speed. TOUCH WAH, DISTORTION and DELAY are connected in series. TOUCH WAH, OVERDRIVE and DELAY are connected in series. COMPRESSOR, DISTORTION and DELAY are connected in series. COMPRESSOR, OVERDRIVE and DELAY are connected in series. DISTORTION and DELAY are connected in series. OVERDRIVE and DELAY are connected in series. Chorus effect without modulation, created by adding a slightly pitch-shifted sound. Attenuates the vocal part from sources such as CDs. Stereo EQ with equalization of LOW and HIGH. Stereo EQ with equalization of LOW, MID and HIGH. Reverb simulating a metal plate reverb device. This effect changes the pitch of the input signal. Reverb appropriate for a solo instrument. Reverb simulating the acoustics of a room. Cyclically changes the center frequency of a wah filter. Can be used as a pedal wah by assigning it to a controller. Changes the center frequency of a wah filter according to the input level. Can be used as a pedal wah by assigning it to a controller. Applies DISTORTION to the output of AUTO WAH to distort the sound. Can be used as a pedal wah by assigning it to a controller. Applies OVERDRIVE to the output of AUTO WAH to distort the sound. [. . . ] When receiving the Bulk Dump with the wrong check sum, a check sum error will be displayed. See MIDI Data Table for Address and Byte Count. F0H, 43H, 2nH, idH, ahH, amH, alH, F7H 2n:n=Device Number id:ID=5B, 57 ah:Address High am:Address Mid al:Address Low 1) is effective only in the Voice mode. p = Part No. (0~F:Part1~Part16) b = Memory Bank(1~4:P1, P2, I1, I2) ee = Element No. (00~7F:EL1~EL128) nn = Memory No. (Refer to the tables) ID = 57H 1) 2) Current VL Bulk 1 VL Bulk See < Table 14> See < Table 15> AH 20 31 AM 00 00 AL 00 nn 1) 2) 3) 4) 5) Current Performance / Common Bulk Current Performance / Part Bulk 1 Performance Bulk Current Voice / All Bulk Current Voice / Element Bulk See < Table 8> See < Table 9> See < Table 10> See < Table 11> See < Table 12> AH 10 3p 11 40 60 AM 00 00 00 00 ee AL 00 00 nn 00 00 1) and 2) are effective only in the Performance mode. [. . . ]