Mode d'emploi ZOOM ST-224

[. . . ] Cho Rev Rear Panel (4) (3) ZOOM STUDIO POWER DC9V 200mA MODEL 1202 SERIAL NO. ZOOM CORPORATION MADE IN JAPAN FABRIQUÉ AU JAPAN EFFECT ON OFF FS01 Front Panel (1) INPUT control Serves to adjust the volume of the sound source connected to the input. NOTE When a compound effect (indicated by a / in the effect name) is selected for bank B, the EQ LOW and EQ HIGH controls affect only the reverb or the echo effect sound. (7) EFFECT selector Serves to select the effect type to be used. There are 16 different effect types for bank A and bank B. (2) LED indicator When the 1202 is turned on, this indicator lights up in green. If the level of the input signal is too high, the indicator turns red to show that the sound will be distorted. [. . . ] When OFF is selected, only the original signal is output, and the power LED on the front panel flashes in orange. (4) POWER (AC adapter) connector Serves for connection of the supplied AC adapter. Be sure to use only the supplied adapter. When the AC adapter is plugged into an AC outlet, the 1202 will be automatically switched on. (2) OUTPUT connector Serves for connection to the return input of the instrument or mixer, or to the playback system. Specification Preset Programs: Program Controls: Effect EQ: Level & Mix Controls: Rear I/O: 512 (16 Effects X 2 Banks; A/B X 16 Patterns) 2 (EDIT 1, EDIT 2) HIGH, LOW INPUT, MIX ( 100% DRY -- 100% EFFECT), OUTPUT INPUTS (L/MONO, R) ; ­10dBm -- +4dBm / 7k (MONO), 14k (STEREO) OUTPUTS (L, R) ; ­10dBm -- +4dBm / 330 or more EFFECT OFF (with optional foot switch FS01) 2 channels, 16 bit Linear, 44. 1kHz, 64 times over sampling 2 channels, 16 bit , 44. 1kHz W 482 X H 44 X D 115 mm 1. 4 kg A/D Conversions: D/A Conversions: Dimensions: Weight: ZOOM STUDIO 1202 Setup Examples 1. Connection between instrument and playback system This example demonstrates the use of the 1202 as an instrument effecter. For a monaural setup, use only the left (L) connector. The MIX control should normally be set to the center position. Preamplifier, distortion processor, or similar INPUT L/MONO OUTPUT LR Amp Amp R 1202 2. Connection in send/return loop of a mixer This type of connection allows use of the 1202 for any instrument or sound source connected to the mixer. The MIX control should normally be turned fully clockwise. RETURN 1 L/MONO RLR 1202 INPUT SEND 1 SEND 2 SEND 3 OUTPUT RETURN 2 L/MONO RLR 1202 INPUT OUTPUT RETURN 3 L/MONO RLR 1202 INPUT OUTPUT 3. Successive use of two effect types When a compound effect (indicated by a / in the effect name) is selected, two types of effects can be used in series, as shown in this example. It is also possible to insert an external effecter between the first and second effect. Delay Preamplifier, distortion processor, or similar INPUT L/MONO RL OUTPUT R Amp 1202 4. Parallel use of two effect types When a compound effect (indicated by a / in the effect name) is selected, two types of effects can be used separately, as shown in this example. Preamplifier, distortion processor, or similar INPUT L/MONO R OUTPUT LR Keyboard Amp Guitar Amp 1202 ZOOM CORPORATION 2-10-2 Miyanishicho Fuchu-shi, Tokyo 183 Japan Tel: (0423) 69-7111. The delay time variation range is 0. 4 to 180 mS. Pattern 9­16: Variations with Use EDIT 1/2 to adjust L/R delay different feedback time. The delay time variation range is 11 to 370 mS. L: 173mS 1: R: 185mS Delay Time 1 0. 4 ­ 180mS OR 11 ­ 370mS Delay Time 2 0. 4 ­ 180mS OR 11 ­ 370mS 16. Echo Delay Time 1 0. 4 ­ 180mS OR 11 ­ 370mS Delay Time 2 0. 4 ­ 180mS OR 11 ­ 370mS * For each effect, pattern 1 is called DEMO (standard setting). [EDIT 1/2 Parameters] Gate Threshold: Adjusts the gate threshold. Delay Time 1/2: Adjusts the interval between the original sound and delay sound, and between delay components. ZOOM STUDIO BANK B Effects Description Chorus with a total of six voices for L and R EFFECT PROGRAM LIST Patterns Pattern 2­16: Variations with different modulation depth Pattern 2­16: Variations with different modulation rate 1: 0. 76Hz/2­16: 0. 1­1. 9Hz Patterns 2­8 are negative pitch shift variations, and patterns 10­16 are positive pitch shift variations. 1: +10Cents Pattern 2­16: Variations with different modulation rate 1: 2. 54Hz /2­16: 0. 14­5. 24Hz EDIT 1 EDIT 2 17. Chorus Mod Delay Mod Freq 0. 13 ­ 1. 39Hz 18. Flanger Flanger with wide sweep range Mod Depth Mod F/B 19. Pitch Pitch shifter with a range of up to one octave up or down. When changing the pattern, the pitch is shifted along the major scale (*see right page illustration). [. . . ] Cho+Rev Rev Time 0. 5 ­ 3. 3Sec Rev Mix 23. Fla+Rev Rev Time 0. 5 ­ 3. 3Sec Mod Depth 24. Pit+Rev Serial connection of pitch shifter and reverb. When changing the pattern, the pitch is shifted along the major scale. Rev Time 0. 5 ­ 3. 3Sec Rev Mix * For each effect, pattern 1 is called DEMO (standard setting). [. . . ]