Mode d'emploi PANASONIC NN-S251WEPG

[. . . ] Have a qualified technician carry out repairs. connect the video recorder to the power supply if you have just moved it from a cold to warm environment. This can result in condensation inside the recorder and cause serious damage to the machine and cassettes. Wait around two hours to allow it to reach room temperature. [. . . ] Switch your video off. TMR x Wait a few seconds after typing a one-digit-number. x If you have made a mistake, move to the position you want to change using the / buttons and change the setting. x If programme timings overlap, the machine will give a warning message. If you don't adjust the times, the machine will record the first programme completely then continue with the second one. x If there is no sufficient free space for the recording on the cassette the video switches automatically to "LP" for double recording capacity. x The recorder will eject cassettes which have the safety tab removed (page15). x To cancel the normal timer recording, press (stop) button more than 5 seconds. 12 M Timer Review ­ changing and erasing MENU PR 03 01 ------- O R E functions TIMER PROGRAM START 21:20 18:30 -- : --- : --- : --- : --- : --- : -END 22:20 20:20 -- : --- : --- : --- : --- : --- : -DATE 14/04 12/04 -- / --- / --- / --- / --- / --- / -- Call the video's "MAIN MENU", choose "Timer Program". Select the programming to change or erase. If you want to erase this programming press button 0, confirm with OK. If you wish to make changes: Move to the position you want to change using the / buttons. Change the settings using the PR +/­ or number buttons. If all setting are ok, press or , till you see "OK: confirm" in the bottom line. In poor reception areas, fine tuning may improve reception. Choose the station and tune using the / buttons. Store, typing in the location number again. x Should you wish to tune in all the channels available in your region, please refer to page 5. x Should you wish to sort or clear stations, please refer to page 18. 17 Tuning in NEW STATIONS Sorting programme locations MENU PR If the location numbers used for programmes stored in your TV and video are different, you can change them on the video. To do this, move the stations to the right numbers, until they are arranged the way you want. PR Call the video's "MAIN MENU", choose "PR Preset" then "PR Align". PR PR ALIGN PR01 P-01 PR02 P-02 PR03 P-03 PR04 P-04 PR05 P-05 PR06 P-06 PR07 P-07 PR+/-:ALIGN :PR VIEW OK:CONFIRM PR08 PR09 PR10 PR11 PR12 PR13 PR14 P-08 P-09 P-10 P-11 ---------- PR Select the programme to swap. Move the station to the desired location number. Confirm. 1 4 2 5 3 6 TV/VCR PR PR AV A MENU:END 7 8 9 30 0 MENU Clearing programme locations EJECT MENU SP/LP PAL/SEC INDEX PR MENU PR PR A. SEL PR ERASE PR01 P-01 PR02 P-02 PR03 P-03 PR04 P-04 PR05 P-05 PR06 P-06 PR07 P-07 PR+/-:SELECT :PR VIEW OK:ERASE PR08 PR09 PR10 PR11 PR12 PR13 PR14 P-08 P-09 P-10 P-11 ---------- Call the video's "MAIN MENU", choose "PR Preset" then "PR Erase". PR 2x MENU:END PR PR03 P-03 PR IMPORTANT!THE `OK' BUTTON WILL ERASE THIS PR. :PR VIEW OK:CONFIRM MENU:END Select the station (location number) you want to clear. Clear. MENU 18 x If you are using a RCA cable, select the AV input on the TV to see the picture from the video. x If you are not using a RCA cable, select the button CONNECTIONS and copying number on the TV reserved for video input to see the picture from the video. To the TV via antenna cable (if you are not using a RCA cable) If you are not using a RCA cable, your video can transmit pictures and sound to the TV via the coax aerial cable. [. . . ] 15 CM Skip . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 Condensation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Precautions Counter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 Fine-tuning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ]